Forgive me, for I am only human...

I have been threatened by my trustee followers that they will no longer follow this blog unless I actually post something. So let me start by apologising for my absence, times have been busy, stressful, exciting and ever changing but these are not excuses.

Instead of reflecting on what I have been listening to, watching and craving from the fashion weeks that seem so long ago, I will give you a slice of three things I love.

INTRODUCING …. KYLA LA GRANGE.

 

Her debut album “Ashes” was thrown into my life by chance and I was not disappointed. Florence and the Machine worshippers may tune their ears to Kyla’s vocals and rejoice in a folkier/goth version of the Welch master!  

The album itself is quite a mixed bag. One thing I think it lacks is continuity – even the vocals sound different on each track – but I think that makes for a charming listen. You move from the anthemic vibes of “Been Better” to the grass roots folk (similar to Frazey Ford) on “Woke up Dead” to the quirks of Americana on “The River.” It’s a bit of a rollercoaster but give the girl a break, it’s her first album! For me, it has been the perfect accompaniment to these dark nights – be that on the tram ride home from work or a night in, in the pod. For anybody who appreciates a bit of drama and darkness, this is your album.

Above is my favourite. 

INTRODUCING…  THE WINTER LBD ENLACED.

For the past few months I have been pawing my way through magazines and eyeing up beautiful black lace dresses. Lace is such a difficult thing to wear – you can end up looking like your dressed for Halloween, as a widow, a Goth or just really cheap and tacky. But there is something about the fabric that is both elegant and sexy. It’s been worn by many a celebrity this winter already and was a big hit for Dolce and Gobanna on the runways in Milan this year. So I finally did it, I purchased myself a full sleeved lace dress with a high neckline. I’ll be honest, it did look more Goth than hot but I liked it anyway. For once in my life I decided to go for a trend I wasn't sure would suit me and I didn't die or anything, so maybe I’ll take a fashion risk again at some time!   

INTRODUCING… THE NEWSROOM.

I am obsessed. For anyone who works in a newsroom this is a must. I felt so pained waiting for the weekly episodes to be aired that I waited until they were all recorded on sky plus and watched them in one sitting. Then I watched them all again the following week! Characters, plotline and scriptwriting was all impeccable. I laughed at least once in every episode. The thing I loved most was that I realised just how exciting my job was and that I could liken the characters to people I know. The programme blurred the line between tv drama and reality by using real life events and showed how newsrooms in America might have dealt with them. One of my trusty friends also revealed that one of the characters “Mackenzie” was based on a BBC Newsnight producer, which explained why the fictional programme had the same name!

Introducing....

Max & The Wild Things

To be honest I don't know much about this band other than the fact that they are from Tennessee, they only featured on my radar when I was sent a request to review their self-titled album 'Max and the Wild Things' which is available to download for free by the way!  

To be totally honest, I did have pre-conceived notions as to what sounds might fill my ear. I was expecting some sort of old school 60's rock - maybe its the connotation of Wild Things that made me think that? All that filled my mind was Chip Taylor's rock classic - 'Wild Thing' and the amazing Jimi Hendrix cover we all know and love ... however, a contemporary spin on country music was not what I was expecting -but much to my delight that was what I got! 

The self titled album consists of 12 wonderfully constructed tracks that lead you on what can only be described as a musical journey throughout various pivotal era's in music. We have songs like "Enough" that capture the essence of the  1960's i.e. The Beatles Mania - with its catchy riffs and sing-a-long lyrics we also have tracks like "You Got Your" which is led by a powerful riff that highly resembles the 1970's track "The Joker" by The Steve Miller Band. This album is a mixed bag which is why I am sure it'd probably have at least one track that appeals to you, the only way to find out is to listen for yourself! 

As I listened to the entirety of this album and tried to pigeon hole Max and the Wild Things I realised, as each track went by that this was near impossible. It seems that Max and the Wild Things are just that "wild" in their approach to music, it is evident that they are knowledgeable in regards to the history of music but rather than replicating the great era's that have passed they have given their own unique contemporary Tennessee slant on classic genre's. 

The only genuine pigeon holing I can do (because we all like to classify every artist as much as we pretend we don't!) is that Max and the Wild Things bare a great resemblance to another band hailing from good ol' Tennessee, one that has left quite the impression on a British audience - The Kings of Leon. This feeling became prominent when I heard the track entitled "Without a Sound" - it had that Americana slur that could be considered Aidan Traylor's signature at the end of each lyric and reminded me of something that could pass for an early KOL track which is obviously praise indeed! 

To the listeners: Don't let the first track on this album fool you, like it did me. Max and The Wild Things are not one trick (1960's rock'n'roll wannabe) ponies. You do have to listen to the album with an open mind and I am sure you will find a track that suits you. 

NEW AGE FOLK BY FRAZEY FORD

If you are looking for something to listen to while you work/cook/do something that makes for some nice background music... let me introduce you to Frazey Ford!

I thought I would  review a few songs from her debut album 'Obadiah' which has a mixture of amazing Americana-sounding folk songs and here are my thoughts on my top 3 songs, in the order of preference: 

Blue Streak Mamma: - The song is introduced by a nice steady drum beat which carries it from beginning to end accompanied by the repetition of a beautiful riff that is locked on repeat. The structure and sound of Blue Streak Mamma resembles that of the down tempo soul and blues of the mid 60's.  The vocals start up pretty quickly and you are stuck by an extraordinary voice that is very similar to Adele but with a less commercial feel. This song is based on a lot of repetition- that locks you in and draws you closer. I honestly believe that a song you can sing along to whilst hearing it for the first time is one that is destined for great things - and Blue Streak Mamma has to be one of those songs! This song is sure to feature on some US drama and then become a big hit!

If You Gonna Go: - This song highlights what beautiful vocals Frazey Ford has. It is the kind of song that you could melt on your sofa to, whilst eating strawberry cheescake flavoured ice-cream and feeling sorry for yourself (not that I am speaking from experience -honest.) I could imagine Norah Jones doing an amazing cover of this for her next album. If you are a fan of Norah Jones' - Come Away With Me then I honestly think that this is the song you should be listening to from Frazey Ford's debut album. 

One More Cup Of Coffee: - This song has a lot of memories attached to it and it will always be one of my favourite songs. It is my favourite Bob Dylan track by far and Ford does a good job of covering it. I think covers of classic songs are a risk especially when they are sang with as much as passion and integrity as was the case of the original but Fazey Ford's cover is beautiful. I love the vulnerability in the verse but I find the chorus a tad soul-less - it lacks the authenticity that Dylan succeeded in putting across in the original. To some degree Ford's cover feels like it is heading to a great crescendo but it fails to deliver. 

 

  Bob Dylan - One more cup of coffee

- Watch more Music Videos at Vodpod.

Album Review!!!

Lyricson - "Messages" 

(released November 8th 2010) 

In recent years Reggae has focused less on its foundations as an outlet to voice political opinion and open respect for personal religion and instead has arguably focused on pleasing Western audiences. Lyricson turns this around by presenting Reggae in its purest form with his new album entitled Messages.

From the offset Lyricson introduces us to the world of Rastafari with mentions of Zion, Jah and Haile Salassie and lyrics that express his devotion and unalterable belief in his religion: ‘Protect me Jah... Rastafari love worth more than silver and gold.’

A classic Reggae base runs throughout this album which is matched with classic themes found in traditional Reggae music: love, religion, war and politically fuelled passion. Despite this over the course of a 16 track run we find many different influences permeating the tracks which is refreshing. It is rare to find a 16 track album nowadays but its almost impossible to find one filled with back to back great tracks, Lyricson’s is the exception. Messages will be released on the 8th of November!

Album Review

DWELE

It’s that old cliche that almost always gets used to describe talented Soul/R’n’B singers but there is no other way to describe Dwele’s voice other than saying it is as smooth as butter. The words just slide out of his mouth with no strain, just pure passion. His new album combines the contemporary with elements of classic soul which is shown by the way he sings in and around the beat rather than adhering to the conventions  R’n’B dictates.

Dwele’s approach to both songwriting, production and delivery have an authenticity that many mainstream artists can’t seem to match. His new album ‘W.ants, W.orld, W.omen’ contains no hegemony or egocentricsm, instead, it is rich with beautiful lyrics that reflect Dwele’s personal experiences and desires in life. Although some are more confusing to understand than others such as ‘I wanna’ but that might just be me?

Despite the overall sound of the album being easy to listen to there is an off putting undercurrent namely the explicit promotion of a particular denim brand that is dotted throughout the album. It seems silly to ruin what at first appears to be a genuine singer/songwriter’s album but I guess promoting this brand will line Dwele’s pockets just in case the album doesn’t. Despite not being admirable, its understandable. Dwele has been the victim of never making it to the mainstream, he has always been on the outskirts looking in but with this album he might just make it.